Tag Archives: grandmother’s flower garden

Places I Remember: London

FEBRUARY 4, 2021

Like others, I won’t be travelling this year. Locations are unreachable in a world were we used to choose a destination with the click of a button and arrival was only a few hours or a day’s journey away. Hopefully travel holidays will be possible soon for everyone that has been yearning for an adventure this year.

My fabric-scapes (tea–cosies with solid colour and print fabrics) are reminiscent of places I remember.

Tea Cosy, crown print, red, white and blue

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London 

When I was a child I moved regularly because my father was an officer in the RCAF. We didn’t have any of the enviable postings over seas, like the Black Forest in Germany that I heard about from my friends. Our one international posting was in the United States.  We moved to Key West, Florida for two years. Travel was not something we did for family vacations. Holiday time was spent at the cottage on Black Lake, Ontario or on the ski slopes near Ottawa. My first travel by air was an exchange trip to Vancouver with my high-school band in grade thirteen.

 

 

Janice & friends was the name of my boutique, to show and sell my designs under my label, Janice Colbert Toronto

 

After five years of marriage, Jim and I bought Eurail passes in 1983 for a three-week trip to twenty-one countries in Europe. I had my fashion business and a retail boutique. My mother-in-law— a retired bookkeeper—and my aunt—a retired director of nursing for an Eastern Ontario hospital—offered to mind the store so my sales assistant could have her regular days off. They thoroughly enjoyed a fashion–holiday of their own making.

 

 

 

 

 

London was my first destination in Europe. We arrived in Gatwick, took the train to Victoria Station to catch the train to Dover. I felt like I had been dropped into another world, I couldn’t believe my eyes when I took a quick look outside while waiting for our next train. I loved the hustle and bustle of the double decker buses and London taxis zipping by and the 1860s architecture. From Dover, we were on the Hoverspeed to Boulogne next morning with connections for an express train to Paris.

Our last destination in Europe was Amsterdam, followed by a train to Hook of Holland to catch the ferry to Harwich and then another train to London. We arrived on July 1, 1983 for a two-day visit before flying home to Toronto. We took the Round London sightseeing tour. (July 1, “excellent tour” was my noted in my travel journal.)

From the Parliament we walked by Westminster Abbey, the Horse Guards, through St. James’s Park (July 1, “beautiful” in my journal) to Buckingham Palace and Piccadilly Circus. We tried to buy theatre tickets but the good shows were sold out months ago. It wasn’t as easy as it is now to make reservations ahead of time. Ticket reservations were made buy phone or fax and the payment by credit card. But just the same, it hadn’t occurred to us to reserve in advance.

18 Argyle Square London

The Langley, a townhouse hotel on Argyle Square, is where we stayed. It’s still there, with an updated  exterior, a black and white theme, divided lights on the windows, balconies on the second floor and renamed, The Gyle. The Langley is now a luxurious Georgian townhouse hotel, in Camden. The Langley (or The Gyle) is just one mile away from the British Museum.

The stores and markets were on the next day, Selfridges, M & S, Fortnum and Mason, Harrods, Kings Road, Chelsea Market (July 2, “punkers have just about taken over the area”, my journal notes again). There’s a list in my journal, noting the fashion that I saw along the way—knitted sweaters with shoulder seams ripped out, black and grey post nuclear-war fashion (shop on King’s Road), Laura Ashley look, dropped waist dress with horizontal tucks on hip band, Tyrol fashions, white romantic blouses, smocked dresses for adults (Kings Road), blouse with lace yoke, bow tie, dolman sleeve (Amsterdam.) Photography was more cumbersome back then. We used film and had to wait until we returned home to have the negatives processed for prints; or slides that were projected onto a screen from a slide projector. Sometimes it was just easier and faster to sketch something that caught my eye.

 

We didn’t travel again until 1985. We spent seven nights in London on our first family holiday with out nine-month old daughter. One of the sites we visited was Paddington Station and we bought a Paddington Bear near the London Zoo. The bear was larger than her. We were there leading up to Christmas and so the splendour of Harrods ramped up with holiday lights left a vivid first impression. Of course Father Christmas was discussing Christmas lists with tiny customers in the toy department. From there we toured England and Wales. The United Kingdom was a comfortable travel test-drive for inexperienced parents. We knew it would be easy to communicate with doctors if she was unwell.

On the London Double Decker Bus

Paddington Bear

Tea time in Wales

 

 

 

 

 

 

 

 

 

 

When newly graduated boomers entered the work force in the 80s and 90s they made good money and spent it without hesitation after years of living the student life. People would fly to London for a few days to see some shows and be back home before anyone noticed they were gone. It was less cumbersome to travel before 911; airport security did not add inordinate hours to departure and arrival plans. The majority of  travel time was spent in the airplane. Jim arranged a just-the-two-of-us fifteenth anniversary surprise-trip to London in 1994. We left our son and daughter with Jim’s parents at their cottage near Ottawa. I didn’t know where we were going but thought we might be going to New York. Jim just said to pack for September weather and to bring something dressy to wear for dinner. From the Ottawa airport we flew to Halifax, so I thought we were going to Prince Edward Island, where my childhood summer vacations were at my grandparent’s farm. But no, we had a 9:55 p.m. flight to catch to London! We left on Thursday and arrived home on Sunday. It was out of character for us because we were farsighted in our approach to money, so it was a big surprise that we were doing what I had only read about! We saw two shows on our three-day theatre vacation, the musical Cats, from the poetry collection by T.S. Eliot with the musical composition by Andrew Lloyd Webber on Friday night. The following evening we were at the ‘New’ Starlight Express with music also by Andrew Lloyd Webber. Famously, the actors performed the entire show on roller skates. It sure was fun to experience London theatre, something we missed out on ten years before.

 

Capturing memories

 

We returned in 2000 with our fifteen-year old daughter and twelve-year old son for the London sights, and a ten-day tour of England with highlights that included Blenheim Palace, Oxford, Windsor and Legoland, Stonehenge and the Salisbury Plain chalk plateau, Appledore, Clovelly, the fortified manor house Powderham Castle, St. Ives and Lands-end. Travelling with children adds an extra complexity to a trip in the effort to meet everyone’s expectations. Friends have often said to us, “Why go to the extra expense to bring them along? They won’t remember what they saw.” That was never the point. They remember that they traveled with us and we had special experiences. Our children learned to be good travellers over the years when we made their summer holidays a priority. Travel has given them the confidence to go out and create their own experiences. Something that I never had.

 

 

Five years later in 2005 we were kicking around the London galleries. We were on the tube (on our way to lunch with Jamie Oliver at Fifteen) at King’s Cross Station when the tube bombing happened on July 7. We were so deep underground that we had to walk up an infinite number of escalators and hurried to  exit the station. Once outside the chaotic scene of Bobbies, barricades, fire trucks and sirens overwhelmed us. The underground was closed for the day. Taxis were always full. The only option was to walk, about a forty-minute walk if you knew where you were going, to the restaurant. After lunch we walked from Hoxton to our hotel in to Bloomsbury, about another forty-minutes. We paused and looked at neighbourhoods along the way. Sticky and cranky and flummoxed about making a few wrong turns, the British folks were wonderful on route in giving directions, handing out maps and bottled water. We didn’t really know what happened until sitting down to dinner at a restaurant near our hotel. The Canadian journalist Patrick Brown was having dinner with his son, at the table beside us.  We chatted about the days events but it was only much later at bedtime when there was finally news coverage on what happened. The following day we left London, for a thirty-day driving trip of Scotland and Ireland, that included a check-in with our son who was on a summer school adventure in Edinburgh and Dublin.

 

 

In 2012, I was shortlisted for the Royal Academy Summer Exhibition. We were back in London to see the Royal Academy Exhibition and the Queen’s Diamond Jubilee and Flotilla on the Thames. From there we caught the Chunnel (Channel Tunnel) to Paris and Brittany.

 

 

 

 

 

 

Our last trip to London was in 2019 for our fortieth wedding anniversary. Surprisingly it was our first time to visit Buckingham Palace. The palace can be closed for official duties, so bookings never seemed to align with our travel dates. The closest we have come on a previous trip was to visit the Royal Mews, a collection of equestrian stables, of the British Royal Family.

By now since we have seen many of the major attractions in London, we focus on the small museums. The Fashion and Textile Museum, founded by Dame Zandra Rhodes is the only museum in the UK dedicated to showcasing contemporary fashion and textile design. I saw the retrospective on Orla Kiely’s work.

entrance with exhibition banner for Orla Kiely: A Life in Pattern, Bermondsey

small portion of the Wall of Handbags

Orla Kiely designs for women

 

 

 

 

 

 

 

 

 

 

The Brunel Museum tells the story of the Thames Tunnel, the first tunnel known to have been constructed successfully underneath a navigable river and was built between 1825 and 1843 by Marc Brunel and his son Isambard using the tunnelling shield newly invented by the elder Brunel and Thomas Cochrane.

 

 

 

 

 

 

 

After seeing the Brunel Museum we came across The Rotherhithe Picture Research Library and Sands Films Studio while walking around the neighbourhood. We were reading a plague about it when we were invited in have a look.  It is a small British film production company, founded in the mid 1970s. The business is housed in a former granary and has its own soundproof stage, workshops, costume department, set construction workshop, cutting room, cinema and other services needed to make films.

 

coiled wires for making corsets

the sewing room

 

 

 

 

 

 

 

The red, white and blue National Colours of England are the same colours in the flag for the United Kingdom. The colours are taken from the white and red flag of England, and the blue and white flag of Scotland.

London-scape (detail) cotton fabric, solid red, navy and white stripe and print, crown print on white frill

London, on hold for now, but we will return there, and other places to boot!

 

 

 

 

 

 

 

 

 

 

CHRISTMAS ALL THROUGH THE HOUSE

NOVEMBER 26, 2020

CHRISTMAS STOCKINGS

Naïve art, fabric stockings, married for three months, this was our first Christmas in graduate-student housing. Jim was the superintendent so we had free rent for a tiny one-bedroom apartment a few doors from the student pub in Kingston. I made the stockings out of red flannelette. I didn’t have enough fabric to cut the front and back in one piece so there are two seams on the back of each stocking where three pieces of fabric had been joined.

 

The English paper piecing rosette is here in a smaller version of the one used on the Retro Tea Cosy. White eyelet cotton is used for the cuff and rosette, the heel and toe on my stocking. Jim’s has navy-blue stars and red polka dots on a white background.

 

 

 

The hanging loop is red bias-binding tape that also edges the cuff, and defines the heel turn and toe. The stockings are large enough to hold a bottle of wine, a tangerine in the toe and a few luxury chocolates, but they are small (19.5 x 6.5 in.), in relative terms to our expectations where Christmas stockings and everything else has been scaled to fit our large-sized lifestyles that include big stocking that still won’t hold all the spoils and extravagant consumption at Christmas.

 

VIYELLA SHIRT

I made this Christmas shirt that for my husband over 40 years ago.The heritage 1784 Viyella is the oldest branded fabric in the world. The strong but soft twill-weave fabric is a wool and cotton blend, 80% lambs wool and 20% Egyptian cotton. The fabric was the first and most natural performance fabric centuries ago. It kept one warm in cold temperatures and cool in hot temperatures. Modern technical fabrics offer this today. Viyella is known for cosy clothing styles. Designers with a vintage flair, for example Laura Ashley, were drawn to it. The original wool/cotton blend is no longer available. It has been reversed to 20% wool and 80% cotton unless you can find a vintage design like this shirt.

Every Viyella fabric pattern has a name, there are many tartans and plaids, but I could not find the name for this one. Does anyone know what it is called? This classic-fit sports shirt has a topstitched straight collar, front button placket; a slight pleat at the base of the back yoke gives ease of movement in the shoulder. The sleeves have a cuff and a placket.

 

 

I had forgotten that at some point the sleeve had a rip in it. I don’t remember how it happened. It was the norm to reduce waste, to mend, not to throw things out. Mending was intended to be as invisible as possible. Here is the repair, to make it ‘good as new’.

The trend to reduce waste is back on the minds of some people. The style is for conspicuous mending. To evolve the garment into an environmental fashion statement.

 

 

FIVE-BUTTON RED VEST

 

What says Christmas more than this flame-red, wool-gabardine-vest with five buttons? The vest was for Jim, and  is a similar vintage as the shirt. It has one welt pocket on the front and is fully lined with a satin fabric. The back has a self-fabric belt and a buckle with three eyelet buttonholes.

 

 

 

 

 

TREE SKIRT

The first Christmas tree skirt that I had ever made was quick and easy to create because it has minimal stitching. When I was juggling design work with raising two children I didn’t have time for complicated projects. The skirt came about at the eleventh hour. At the moment when the tree was put in place and they were busy hanging decorations we realized that we didn’t have a skirt. I zipped upstairs, pulled out some blue felt and cut a forty-two inch diameter circle with a smaller circle in the centre to accommodate the tree trunk, and slashed the fabric from the centre to the hem to create an opening. Then I cut lengths of nine-inch red-satin ribbons and tacked them eight inches apart along the hemline. I finished the hemline by pinking (zigzag detail) the edge with pinking shears and did the same to the ends of the ribbons to create a theme.

I don’t think I was missed; the kids were still enjoying the tree and the decorations, when I came downstairs with the skirt.

We used that skirt for many Christmases, sometimes alternating with other tree skirts from sophisticated silk with a scalloped hem edged with pearls, burgundy velvet with soutache-cord snowflakes to rustic black-and-red plaid with moose, bear and oak leaf appliqué motifs. I think the blue felt one has always been my daughter’s favourite.

 

 

 

SLEIGH BELLS

I was compelled to make this Christmas costume for my son and daughter when they were in elementary school. A Canadian magazine might be where the concept originated. I’m not sure but it was a brilliant idea.

Two red sweatshirts were required. I shopped the stores to assemble the bric-a-brac. The craft shop had the bells, fabric paint, ribbon and glitter. I didn’t know if I could find unadorned old-fashioned sweatshirts in children’s sizes. If I came up with nothing, that would be the end of the project. Cotton Ginny had them in sizes XS and S.

I so loved Cotton Ginny sweatshirts and sweat pants from the 1980s and ’90s. They were made in Canada and early to market in what became an explosive fashion trend; to move sweat pants from the gym to loungewear and casual street- wear. I had many sets for myself in a rainbow of colours.

The Christmas tree, a green painted triangle outlined in green glitter is the focal point of the shirt. There are fifteen gold sleigh bells hand sewn in rows. The tree topper is a gold bell tied with a plaid ribbon. There is a zigzag checkerboard across the chest that alternates with red and white paint in the top row and green and white in the lower row.

Jingle Bells in green paint is hand printed on the front of the left sleeve. A sleigh bell dots the “I”.

The teachers at Whitney School in their Junior Kindergarten and Grade 2 classroom thought the sweatshirts were lots of fun and allowed the jingling and tinkling like reindeer harnessed to fly through the sky before school was out for the holidays. If at times a minor distraction, the teachers in 2020 would welcome such a respite.

 

 

 

DJANGO SANTA

I have been a doll enthusiast from a young age. The first one, a Suzy Smart doll from the 1960s, was on my wish list for my first Christmas in Key West. She sat in her school desk, dressed in a plaid jumper, waiting for me beside the Christmas tree. If you pulled a string, she could spell, add and recite. I received my first fashion doll when I was ten-years-old. She was a Christmas present from my uncle sent by mail from his home in California. I had not heard of Barbie and was delighted to receive his gift complete with a carrying case for her and all her clothes.

I admire the miniature scale of dolls. Where puppetry is prevalent, in the places we have traveled such as Britain, Budapest and Prague, by extension handmade dolls with clay faces and hands, dressed in knitted sweaters and leather shoes are for sale.

This doll has had many lives. When I made him for the first time, I made two. I gave one away to my friend whose husband died suddenly in dire circumstances. The second one was for a fun decoration to have at our ski chalet. He was welcomed to our collection of Christmas decorations. Once the holidays were over we packed him away in a box and left him in the basement.

The next year when we opened the box I was heartbroken. Mice had their way with him as swaddling for their nest. His beard full of dried mouse poop, threads eaten, batting pulled out of the body. His pants had holes and urine stains. The buttons had teeth marks. I had spent days making this doll. Santa was no longer presentable. I couldn’t throw him out.

Six years later, I didn’t know if it was possible to restore him but I had the strength and the time to try. Could I pull the beard off the face that had been attached to cotton with glue? His clothing was washed, new buttons and fancy threads were found to replace what was gone. But still, I was hesitant about the job ahead of me. Is this where I wanted to invest my time? Did I really feel like making another pair of pants for a Santa doll?

Then I had the idea to create him anew as Django, not Santa.

Django is my husband’s alter ego, a version of himself where he lets the crazy out, traveling around, enjoying himself but not focused on anything other than what he needs doing that day, no commitments, no wealth or comfort but never on the street. For most of his life he worked in various roles in kitchens, more of the food processing factories of cruise ships, the small galleys of ships or the tiny food prep areas of private yachts, barges, and other working ships and boats.

This Django has a ponytail (like my husband) tied with green ribbon. The beard is a new one.

 

 

He wears a fresh cotton chef’s jacket with a cardinal print and polka dot kitchen pants. The cardinal is a traditional symbol of beauty and warmth of the holiday season. Ribbon suspenders are attached with wood buttons to the waistline. Rag-wool socks were cut to make the doll’s socks and the toque utilizes the red stripe. Black shoes are tied with silver threads. Django wears a black bistro-style apron embroidered with his name. The blue star, sewn with the utility-stitch, refers to a nautical flag he designed that travels with him, most recently to Copenhagen and Moscow.

 

 

 

 

 

SMOOTHING OUT THE WRINKLES 

Sometimes what appears to be a basic rectangle placemat (19 inches wide x 13 inches high) is considerably more than its four miter seams  and simple 2-inch-border. The white fabric with candy canes and peppermint-candy balls and the green fabric with red holly-leaves and white drupes are seasonal and festive. The provenance behind these VIP Screen-Print fabrics by Cranston Print Works Company from Cranston, Rhode Island began in 1806.

For a placemat, even with the two coordinating fabrics, it’s kind of flat—almost anyone could sew this—and could be overlooked for its clean lines.

There is an undertone of sadness that lingers beneath the sparkle and elevated mood at Christmas for those that remember loved ones that have died. The absence is palpable in the missing place setting at dinner. Christmas has always been unusually important for me—in fact since childhood—to make it personal and to build memories.

My mother was fifty-years-old when she passed. She was never spoken about again. Not with my brother or sister who was a teenager then. My father remarried suddenly. My family didn’t gather for any of the holidays. There weren’t invitations or phone calls by any of mum’s large extended family. A  relative’s true emotional investment in family members is revealed in rough times. No one asked us how we were feeling through the early years of mourning. My sadness and my fear that I would get breast cancer festered beyond what would be considered healthy and then it became entrenched.

I missed her so much at Christmas dinner. Once we had children, I was afraid that I would die at age fifty and leave behind my children in their early teenage years. I knew what it was to lose a mother. Mental health therapists recommend, to not worry about something that hasn’t happened.  As much as I tried to put on a brave face I found myself stuck in the same place, inconsolable at the dining-room table while spritzing the red linen tablecloth.  Setting the table for dinner was the worst because she made beautiful dinners. Homemade bread and dinner rolls were always there for the start of the holiday meal.

Ten years later, another Christmas, time to smooth out the wrinkles.  I decided to make new memories because mine were too painful. The four placemats from the early 1990s were my baby steps towards the beginning of new traditions and were the first Christmas themed sewing I had ever done.

The holly leaves traditionally symbolize the crown-of-thorns. The main flower meaning symbolizes defense or protection.

Wishing you a safe and happy household this Christmas.

 

RETRO TEA COSY

JULY 9, 2020

brown tea pot, Arthur Wood

3-cup teapot, Arthur Wood  

Tea and all things tea continue to be popular. Tea holds its own in the coffee obsessed culture we live in. When I was at Comfort Clothing I had a small side project on the weekends, creating tea cosies with plans to sell them at gourmet food shops. Some stores were concerned about whether I could meet their demand. I was trained to manufacture. My concern was whether they would pay me. Sometimes a businesses accounts payable is not as pretty as the storefronts that we shop in.

 

 

 

 

 

Cosy Red Grandmother’s Flower Garden

Here is the one that I was marketing. The design on the front is called Grandmother’s Flower Garden. The cosy (12″ wide x 8 ″ high) covers a range of teapot sizes from three-cups to 5 ½-cups.

Evesham, 4-cup tea pot, Royal Worcester

 

tea cosy covering Evesham teapot

tea cosy covering Evesham teapot

 

detail of flower motif, english paper piecing, seven hexagons

detail of flower motif, english paper piecing, seven hexagons

 

tea cosy shown with Evesham cream and sugar accessories

tea cosy shown with Evesham cream and sugar accessories

 

Cosy Yellow Grandmother’s Flower Garden

 

Sarah's Garden, 5 ½ cup tea pot, Wedgwood

Sarah’s Garden, 5 ½ cup tea pot, Wedgwood

 

detail of flower motif, english paper piecing, seven hexagons

detail of flower motif, english paper piecing, seven hexagons

 

tea cosy covering Sarah's Garden teapot, shown with cream and sugar accessories

tea cosy covering Sarah’s Garden teapot, shown with cream and sugar accessories

 

 

hexagon pattern piece with example of fabric ready for wrapping

hexagon pattern piece with example of fabric ready for wrapping

 

English Paper Piecing is a method of attaching and stabilizing pieces of fabric together. The practice’s name comes from the fact that it was, and still is, popular in Britain. The technique used to paper piece involves wrapping paper shapes in fabric and then stitching the fabric together. Once a shape, block, rosette, or finished piece has been made, the papers are removed, leaving the fabric as the remaining item.

 

 

 

 

         

The hexagon is a design shape that goes way back. I have seen Matthias Church in Budapest where the florid late Gothic style was extensively restored in the late 19th century.

        

It is a motif in many quilts where the well-loved pattern is known as Grandmother’s Flower Garden (left) and Tumbling Blocks or Baby Blocks (right). It just depends on how dark and light colours are arranged. Here are two detail pictures from baby quilts that I made for my daughter c. mid 1980s.

   

And lastly, the hexagon pattern has been obsessively repeated in many of my paintings. Here are two examples: 42 x 48 inches, acrylic on wood panel.

left: Key West House Colours II and right: No Geography Without Stars III